GForce ImpOSCar 2

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Monsta In short, think of the Minimonsta as a modular Minimoog but without all the clutter of patch cords. While not identical with the originals, the resulting sounds are similar enough to tweak into shape. Fully tuneable across a six octave range.

Did it allow me to forget that I was programming and playing a soft synth? Ultravox's Billy Currie refers to it as the 'first punk synth' due to its snarling aggression, thanks in part to an on-board ring modulator, oscillator sync and duophonic capabilities.

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Its place in synth folklore is assured and very well-deserved, but due to the small numbers produced and the desirability of the instrument the chances of finding one in good working order nowadays for less than a king's force is slim. Put simply, the Minimoog had three oscillators and the Odyssey had two - the Minimoog was monophonic and the Odyssesy was duophonic - the Minimoog had no dedicated torrent modulator while the Odyssey did. More immediately oddity was that the Minimoog had knobs and the Odyssey had sliders. It also had a distinct operational architecture and because of mac we've seen some people spend up to an hour trying to get it to make a sound. For this reason we decided on the name 'Oddity' for our labour of love. The Oddity takes all that vst unique and great about this instrument and thanks to a painstaking emulative process brings these qualities into the modern age. In fact the Oddity takes the ability to store patches one step further and allows you to morph between any two saved patches within a 64-patch bank. Simply pick a start patch, a morph-time and a destination patch, and the Oddity will output some amazing and inspirational sounds all of which can be recorded by your host sequencer for subsequent playback. Furthermore, the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired. Of course, because The Oddity was created by Odyssey aficionados much of what gave the original instrument its character and functionality was built-in too. Don't think the Oddity is a piece of laboratory kit designed solely for geeks and mad scientists. It's more a thoroughbred instrument and you'll quickly become inspired by the way it works, finding it perfect for recreating those evocative sounds from the 70s and early 80s, regardless of whether it's basses, leads or wild effects.

GForce impOSCar2 Video Review
Bright Sparks - the album and documentary. There are 16 banks of 127 slots available, which should be sufficient for any project, but there's no immediate way to move patches between banks, and nowhere could I find a way to delete a patch from the library other than by finding it on my hard disk and deleting it directly. Simply pick a start patch, a morph-time and a destination patch, and the Oddity will output some amazing and inspirational sounds all of which can be recorded by your host sequencer for subsequent playback. It doesn't sound quite as sexy, does it? More immediately striking was that the Minimoog had knobs and the Odyssey had sliders. Inspired by the tape replay keyboard originally invented by Harry Chamberlin in the 1950s, which, via a fascinating twist of fate, gave rise to the Mellotron®. Put simply, the Minimoog had three oscillators and the Odyssey had two ΓÇô the Minimoog was monophonic and the Odyssesy was duophonic ΓÇô the Minimoog had no dedicated ring modulator while the Odyssey did.